My friend, who write's fiction. likes my entry to the Fish Young Adult Competition. This gave me the confidence I needed to tweak it and submit it. The novel, which I have called, Daisy and Savitri is multi-cultural. It is not only about two girls from different ethnic backgrounds but also about different economic backgrounds. I never expect to win a competition but can't help hoping Daisy and Savitri has a chance of making the short list, partly because, through the characters, I have shown two teenage girls from different cultures, which I have described, who are firm friends no matter regardless of the twists and turns their lives take.
www.rosemarymorris.co.uk
Showing posts with label Rosemary Morris Novelist. Show all posts
Showing posts with label Rosemary Morris Novelist. Show all posts
Tuesday, 13 October 2015
Monday, 9 June 2014
Discipline - Historical Novelist
Every day I write and engage in 'writerly' activities for a set number of hours in the morning, early afternoon and evening. To complete a novel I need to be self-disciplined, and this includes time spent working on the laptop and computer. I force myself to take a five minute break every half an hour in order to exercise my body in various ways. I roll my shoulders ten times, press my shoulders down then release them slowly ten times, and I stretch up and hold onto the top of the door then allow my body to sag. This stretches my muscles and helps my joints not to stiffen. During some other breaks I choose one activity sorting the laundry and putting it in the washing machine, rinsing dishes and utensils and loading the dishwasher, popping out to water some plants, tidying up a few things, etc.,. The important thing is not to sit in one position for hours on end.
Saturday, 10 May 2014
Writing, Gardening, Cooking
Very successful writing session this morning. I wrote a thousand words and solved the problem of how to reveal the heroine's dilemma.
The weather forecast was bad but this morning it was mild and the rain held off. I'm growing first early new potatoes and second early potatoes in large containers. As I added covered them with more compost I remembered an incident with my late husband, who knew nothing about growing fruit and vegetables.
I was chitting new potatoes i.e. waiting for them to sprout before I planted them. "Strange," I thought, "where are they?" So I asked my husband. He shifted from one foot to the other like a guilty schoolboy. He had cooked them for lunch.
Anyway, today I put my runner beans outside to harden off during the day before I return them to the greenhouse for the night, re-planted my bay tree and stood the pot on the doorstep, I also planted
out a new hosta and put organic slug pellets around each of my hostas. Next I did some weeding and picked flowers for the house as well as picking the first broad beans of the season and Swiss chard,
which has cropped since last year in the early summer.
I steamed the baby broad beans in their pods, and when the were ready cut them as I would cut French beans, and I steamed the Swiss Chard. I also cut the stalks into 3 quarter inch pieces, cooked them quickly and served them in a white sauce flavoured with parsley from the garden, salt, pepper and English mustard. Yummy.
The weather forecast was bad but this morning it was mild and the rain held off. I'm growing first early new potatoes and second early potatoes in large containers. As I added covered them with more compost I remembered an incident with my late husband, who knew nothing about growing fruit and vegetables.
I was chitting new potatoes i.e. waiting for them to sprout before I planted them. "Strange," I thought, "where are they?" So I asked my husband. He shifted from one foot to the other like a guilty schoolboy. He had cooked them for lunch.
Anyway, today I put my runner beans outside to harden off during the day before I return them to the greenhouse for the night, re-planted my bay tree and stood the pot on the doorstep, I also planted
out a new hosta and put organic slug pellets around each of my hostas. Next I did some weeding and picked flowers for the house as well as picking the first broad beans of the season and Swiss chard,
which has cropped since last year in the early summer.
I steamed the baby broad beans in their pods, and when the were ready cut them as I would cut French beans, and I steamed the Swiss Chard. I also cut the stalks into 3 quarter inch pieces, cooked them quickly and served them in a white sauce flavoured with parsley from the garden, salt, pepper and English mustard. Yummy.
Saturday, 3 September 2011
How to Critique a Novel or Short Story
How to critique a Novel or Short Story
As the recipient of many critiques and assessments of my work I have sometimes been dismayed by a critiquer’s comments about my novels and short stories. On the other hand, on occasions, a critiquer has been too full of praise instead of suggesting improvements. The best critiques have been a balance between the positive and the negative.
I belong to three online critique groups and Watford Writers, which meets every Monday at Café Cha Cha in Cassiobury Park at 7.30 p.m. Watford Writers hosts manuscript evenings at which members may read their work, whether it is non fiction, short stories, extracts from novels or poetry.
Members of the online critique groups post chapters of their novels and receive critiques in return for critiquing other members’ critiques. In each group members choose four or more partners whose chapters they critique once a month or more. Over the years most members have offered constructive comments. Those who have been negative or who have ‘flamed’ have been a small minority who the moderators have dealt with – occasionally excluding the offender from the group.
Watford Writers are a friendly group whose feedback I find invaluable. No matter how often I read my work silently or out loud from the computer screen or from the printed page I always miss things which need to be improved. Reading my work aloud to an audience helps me to identify problems for myself and to receive good advice from other writers.
In return for other authors’ generous help I always try to offer the best possible advice and bear the following in mind.
To begin with, I concentrate on the positive and ask myself what I like about the author’s work.
I then consider various issues, which I hope will be helpful, and sometimes remind the recipient that the suggestions in any critique only reflects one person’s opinion, and that the recipient is free to accept or reject them.
I ask myself if I enjoyed the story and, in the case of novels, ask myself if I want to read on and find out what happens next. My next question is who would want to read it and does it stand a good chance of being published?
Important considerations are as follow.
Does the first line make the reader want to continue? Do the opening paragraphs grip the readers’ attention? Will the conclusion make the readers sigh with satisfaction and be sorry they have finished the novel?
I then consider and comment on the nuts and bolts of the writing, not forgetting to praise a few particularly well-turned phrases and ask myself the following questions.
Is there sufficient conflict to make the work interesting?
Do the major and minor characters spring to life? Are they believable and do they act in accordance with their personalities with sufficient emotional depth?
Is the plot believable and do the theme/s grip me and make me want to find out what happens next?
Are the settings believable? Has the author checked the world in which the characters move?
If the novel is historical has the author researched it carefully and are the characters of their time?
Is there enough dialogue to move the story forward and is it well written or either awkward or stilted? If the author uses dialect is it believable?
Has the author jumped from one character’s viewpoint to another’s? If so does this make it difficult for the reader to identify with the characters?
Overall is the manuscript well written and is it properly formatted.
In my critique I make everything I like clear and also answer the above questions to the best of my ability.
Most of my critique partners tell me they appreciate my critiques so, thank goodness, I must be doing something right.
****
Forthcoming releases from MuseItUp Publishing
Tangled Love set in England in Queen Anne’s reign 27.01.2012
Sunday’s Child set in the Regency era June.2012
www.rosemarymorris.co.uk
http://rosemarymorris.blogspot.com
As the recipient of many critiques and assessments of my work I have sometimes been dismayed by a critiquer’s comments about my novels and short stories. On the other hand, on occasions, a critiquer has been too full of praise instead of suggesting improvements. The best critiques have been a balance between the positive and the negative.
I belong to three online critique groups and Watford Writers, which meets every Monday at Café Cha Cha in Cassiobury Park at 7.30 p.m. Watford Writers hosts manuscript evenings at which members may read their work, whether it is non fiction, short stories, extracts from novels or poetry.
Members of the online critique groups post chapters of their novels and receive critiques in return for critiquing other members’ critiques. In each group members choose four or more partners whose chapters they critique once a month or more. Over the years most members have offered constructive comments. Those who have been negative or who have ‘flamed’ have been a small minority who the moderators have dealt with – occasionally excluding the offender from the group.
Watford Writers are a friendly group whose feedback I find invaluable. No matter how often I read my work silently or out loud from the computer screen or from the printed page I always miss things which need to be improved. Reading my work aloud to an audience helps me to identify problems for myself and to receive good advice from other writers.
In return for other authors’ generous help I always try to offer the best possible advice and bear the following in mind.
To begin with, I concentrate on the positive and ask myself what I like about the author’s work.
I then consider various issues, which I hope will be helpful, and sometimes remind the recipient that the suggestions in any critique only reflects one person’s opinion, and that the recipient is free to accept or reject them.
I ask myself if I enjoyed the story and, in the case of novels, ask myself if I want to read on and find out what happens next. My next question is who would want to read it and does it stand a good chance of being published?
Important considerations are as follow.
Does the first line make the reader want to continue? Do the opening paragraphs grip the readers’ attention? Will the conclusion make the readers sigh with satisfaction and be sorry they have finished the novel?
I then consider and comment on the nuts and bolts of the writing, not forgetting to praise a few particularly well-turned phrases and ask myself the following questions.
Is there sufficient conflict to make the work interesting?
Do the major and minor characters spring to life? Are they believable and do they act in accordance with their personalities with sufficient emotional depth?
Is the plot believable and do the theme/s grip me and make me want to find out what happens next?
Are the settings believable? Has the author checked the world in which the characters move?
If the novel is historical has the author researched it carefully and are the characters of their time?
Is there enough dialogue to move the story forward and is it well written or either awkward or stilted? If the author uses dialect is it believable?
Has the author jumped from one character’s viewpoint to another’s? If so does this make it difficult for the reader to identify with the characters?
Overall is the manuscript well written and is it properly formatted.
In my critique I make everything I like clear and also answer the above questions to the best of my ability.
Most of my critique partners tell me they appreciate my critiques so, thank goodness, I must be doing something right.
****
Forthcoming releases from MuseItUp Publishing
Tangled Love set in England in Queen Anne’s reign 27.01.2012
Sunday’s Child set in the Regency era June.2012
www.rosemarymorris.co.uk
http://rosemarymorris.blogspot.com
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