Guest Blogger Rosemary Morris.

Today I am a Caroll Bradd's guest. If you have time, you may read the blog. The link is:http://blog.lindacarroll-bradd.com/?p=920

All the best,

Rosemary Morris

Multi-published Historical Novelist

Writing Historical Fiction and Research

I am pleased because I've nearly written half of my book, Tuesday's Child, a stand alone, follow on novel from my Regency Romances, Sunday's Child and Monday's Child. I had decided that I write too slowly so my plan was to finish Tuesday's Child without spending hours researching the historical background. I have notes in bold to indicate where I need to research something, or check if something is correct. However, I have found it impossible to develop the plot without some research. Fortunately, it hasn't prevented me from reaching my daily output, and keeping up with other 'writerly' matters. 

www.rosemarymorris.co.uk

Writing Competitions

I enjoy writing historical women's fiction but every once in a while I think it's good to challenge myself. I enjoyed revising my young adult fiction competition entry which I submitted to Fish yesterday. So I have high-lighted all the competitions of interest to me in Writing Magazine's Supplement: 2016 Competition Special. Years ago, I completed the beginner's, intermediate and advanced Open College of the Arts' Writing Courses. The 3000 word stories I wrote are based on classical Indian literature, which rivals classical Greek literature. One of my stories was published but the others have languished in a box file. The tutor was enthusiastic about the stories so it's time to 'test the waters' by entering one in a competition.
www.rosemarymorris.co.uk

Tangled Love:early 18thc Historical Novel, Prologue.

Tangled Love by Rosemary Morris was short listed for the best romantic e-book at The Festival of Romance, Bedford, U.K in 2013

Tangled Love
Prologue- 1693

 Nine year-old Richelda Shaw sat on the floor in her nursery. She pulled a quilt pulled over her head to block out the thunder pealing outside the ancient manor house while an even fiercer storm raged deep within. Eyes closed, remained as motionless as a marble statue.

Elsie, her mother’s personal maid, pulled the quilt from her head. ‘Stand up child, there’s nothing to be frightened of. Come, your father’s waiting for you.’

Richelda trembled. Until now Father’s short visits from France meant gifts and laughter. This one made Mother cry while servants spoke in hushed tones.

Followed by Elsie, Richelda hurried down broad oak stairs. For a moment, she paused to admire lilies of the valley in a Delft bowl.  Only yesterday, she picked the flowers to welcome Father home then arranged them with tender care. Now, the bowl stood on a chest, which stood beneath a pair of crossed broadswords hanging on the wall.

Elsie opened the great massive door of the great hall where Father stood to one side of an enormous hearth. Richelda hesitated. Her eyes searched for her mother before she walked across the floor, spread her skirts wide and knelt before him.

Father placed his right hand on her bent head. ‘Bless you, daughter, may God keep you safe.’ He smiled. ‘Stand up, child. Upon my word, sweetheart, your hair reminds me of a golden rose. How glad I am to see roses bloom in these troubled times.’

Richelda stood but dared not speak for she did not know him well.

 Putting an arm round her waist, he drew her to him. ‘Come, do not be nervous of your father, child. Tell me if you know King James II holds court in France while his daughter, Mary, and William, his son-in-law, rule after seizing his throne?’

‘Yes, Mother told me we are well rid of King James and his Papist wife,’ she piped up, proud of her knowledge.

With a sigh, Father lifted her onto his knee. ‘Richelda, I must follow His Majesty for I swore an oath of allegiance to him. Tell me, child, while King James lives how can I with honour swear allegiance to his disloyal daughter and her husband?’

Unable to think of a reply, she lowered her head breathing in his spicy perfume.

Father held her closer. ‘Your mother pleads with me to declare myself for William and Mary. She begs me not to return to France, but I am obliged to serve King James. Do you understand?’

As she nodded her cheek brushed against his velvet coat. ‘Yes, I understand, my tutor explained why many gentlemen will not serve the new king and queen.’

‘If you remain in England, you will be safe. Bellemont is part of your mother’s dowry so I doubt it will be confiscated.’

If she remained in England! Startled, she stared at him.

Smiling, he popped her onto her feet. ‘We shall ride. I have something to show you.’

*****

Before long, hey drew rein on the brow of a hill. Father pointed at a manor house in the valley.  ‘Look at our ancestral home, Field House. The Roundheads confiscated it soon after the first King Charles’ execution.  Richelda, I promised my father to do all in my power to regain the property.’ Grey-faced, he pressed his hand to his chest. ‘Alas, I have failed to keep my oath,’ he wheezed.

Richelda not only yearned to help him keep his promise to her grandfather, she also yearned to find the gold and jewels legend said her buccaneer ancestor, Sir Nicholas, hid.

She waited for her father to breathe easy before she spoke. ‘If we found the treasure trove you could buy Field House.’

 ‘Ah, you believe Sir Nicholas did not give all his plunder to Good Queen Bess,’ he teased.

 ‘Elsie told me legend says he hid some of his booty in Field House,’ she said excited by the thought of a treasure trove. ‘In his old age, when Sir Nicholas retired from seafaring, is it true that he put his ship’s figurehead, Lady Luck, in the great hall?’ she asked by now less shy of him.

‘Yes, for all I know she is still above a mighty fireplace carved with pomegranates, our family’s device.’

‘I would like to see it.’

 ‘One day, perhaps you will. Now, tell me if you know our family motto.’

‘Fortune favours the brave.’

‘Are you brave, my little lady? Will you swear on the Bible to do all in your power to regain Field House?’

To please him, she nodded.

 

Tangled Love is available from: MuseItUp Publishing, Amazon Kindle, Nook, Omlit, Bookstrand Mainstream, Kobo and elsewhere.

 

To view the book trailer, read the first three chapters and reviews please visit. www.rosemarymorris.co.uk

 

 

 

 

 

His for Historical Fiction

I dislike fiction set in the past in which the characters act and speak as though they are 21st century people.

I enjoy historical fiction which has obviously been meticulously researched and in which the characters behave realistically according to their time.

In my opinion, it is not possible to recreate the past with 100% accuracy no matter how hard a historical novelist tries to do so. However, it is possible to successfully  present the era in which the characters lived  and to get nearly everything right after careful study of the events and economic and social history.

I write historical novels - not period novels in which the background is skimmed over. Although my main characters are fictional they are very much of their time. I show what they wore, what they ate, their religious and political beliefs and much more.

At the moment I am writing Monday's Child the second in my series set in the Regency era and revising a mediaeval novel set in the reign of Edward II. I have also written three novels set in the reign of Queen Anne Stuart who reined from 1702-1714 and have an idea for a 4th novel set in the same period.

So, what are the main categories of Historical Fiction? They are listed in Writing Historical Fiction. How to Create Historical Fiction and Get it Published by Marina Oliver.

Fictional Biographies, Fiction firmly based on Fact, Series - a connecting theme such as a place or a house, Family series - a connecting theme such as a place or house, Sagas, Regencies, Period, Wartime, Westerns, Adventure, Gothics, Paranormal, Timeslip and Crime.

(I omitted Bodice Rippers from the above list because I think they send out the wrong message - at the worst that rape is justifiable if the heroine subsequently falls in love with the hero.)

Historical novelists are fortunate to have a wide canvas to choose from. Personally, I do not want to become stuck in a proverbial rut when writing. My mediaeval novel has a touch of the paranormal in it, a theme I hope to develop in another novel. I'm also considering writing a saga that begins in the early 20th century and or a timeslip.

To conclude, from a very young age history fascinated me and I enjoy writing, reading and researching historical fiction.