Ideas for Fiction and Character Profiles

When someone asks me: Where do you get the ideas for your historical fiction?:  I reply that reading historical non fiction often triggers an idea. For example, while reading about James I's flight from England, I sympathised with noblemen whose honour did not allow them to swear an oath of allegiance first to his daughter Mary and her husband William of Orange, who ascended his throne, and, after their deaths, to his daughter Anne during his life. I asked myself what the effect of their refusal would be on their children. With the plot an theme in mind, I imagined the hero and heroine and their circumstances. Next I named them. Finally I filled in detailed character profiles. When they were completed I wrote the first sentence of Tangled Love. I find lengthy character profiles for major characters and shorter ones for minor characters very useful to refer to as I write. Instead of pausing to consider, for example, who their parents are or where they went to school I already the answers. However, this doesn't mean they can't surprise me.

Tuesday's Child - Character Profiles

This morning I began filling in the character profiles for characters who will appear in Tuesday's Child, a follow on novel from my Regency Romances, Sunday's Child and Monday's Child.

The heroine is Harriet, the Dowager Viscountess Castleton, a widow, who has a four year old son, Viscount Castleton. I spent some time choosing his Christian name and chose Arthur.

At that time Arthur was popular because it was the future Duke of Wellington's Christian name.

After choosing the name, I spent an enjoyable fifteen minutes filling in various details on the character profile.

Plotting a New Novel - Tuesday's Child

After my visit to The National Portrait Museum I jotted down my ideas for Tuesday's Child, a follow on Regency Romance from Sunday's Child and Monday's Child. This morning I typed my notes, the first step to writing my new novel. Afterwards I completed some preliminary research.


I don't plan my novels in detail because I like my characters to surprise me, but I do consider how to begin, what might happen in the middle and possible endings that leave no unravelled threads.


Before I write the first sentence I complete profiles of my main characters. These not only include their appearance, their likes and dislikes, their eccentricities and much more, such as their family trees, where they were educated and their life experience. I don't reveal some of the information about the protagonists but it helps me to create believable characters.

M is for Memory

It is mortifying if a novelist describes a character's eyes as blue and later refers to them as grey. In order to avoid such mistakes I fill in a detailed character profile, which includes appearance, for main characters and a simpler one for minor characters, which also includes their appearance.

In my new historical novel Monday's Child there are many minor characters. Instead of depending on my memory, I have a card index in which I record the names of those who have a very minor role.

These aids to memory are very useful. I remember reading a historical novel which began with the main character, who was called - say - Lady Violet. Half way through the novel Lady Rose was introduced. What had happened? The author had changed her mind about calling the main protagonist Lady Violet and re-named her. Unfortunately, she forgot to change the name in the first half of the novel and - amazingly - neither the contents editor nor the line editor notice so the name  Lady Rose replaced Lady Violet when the novel was published. Of course, this is an extreme example, but novelist's beware, but I wonder what the readers made of it.